drawings, i
[2] In 1871 I saw in Bond Street an exhibition of (so-called) ’spirit’
drawings, i.e. drawings alleged to be executed by a ‘medium’ under
extraneous and invisible guidance. A number of these extraordinary
productions (for extraordinary they were undoubtedly) professed to
represent the ‘Spiritual Flowers’ of such and such persons; and the
explanation of this as presented in the catalogue was in substance
exactly that given in the text. It is highly improbable that the
artist had any cognizance of Schott”s Essay, and the coincidence was
assuredly very striking.
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